American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,  Related Paintings of George Henry Durrie :. | Red School House | Winter Scene in New Haven,Connecticut | Hunter in Winter Wood | Red School House, Winter | Cider Pressing |
Related Artists:
Edward Middleton Manigault
(June 14, 1887 - August 31, 1922) was an American Modernist painter. Manigault was born in London, Ontario on June 14, 1887. His parents were Americans originally from South Carolina.Encouraged in art from an early age, he was commissioned at the age of 18 the city of London to make renderings of public buildings for reproduction as postcards.
Francesco Curradi
Italian Baroque Era Painter, 1570-1661 son of Taddeo Curradi. He produced many devotional works and had a large clientele. At their best, the works are distinguished by lucid draughtsmanship, simple compositions and elegant, melancholy figures. Curradi was trained in the studio of Giovan Battista Naldini and in 1590 matriculated from the Accademia del Disegno, Florence. His first independent works include a Virgin and Child with Saints (1597; Volterra, S Lino) and a Birth of the Virgin (1598; Volterra Cathedral), both signed and dated. These paintings reflect the new clarity and directness introduced into Florentine painting by such artists as Santi di Tito and Jacopo Ligozzi. Subsequent works include a Crucifixion (1600) and a Virgin and Saints (1602; both Legnaia, S Angelo). In these the influence of Naldini yielded to that of Lodovico Cigoli and his circle, while the mildness of expression in the figures was inspired by Domenico Passignano. An album of 87 red chalk drawings, with scenes from the Life of St Mary Magdalene dei Pazzi (1606; Florence, convent of the Carmelites at Careggi) distinguished by their precision and clear, characteristically Florentine compositions, contributed to the iconography of this popular Counter-Reformation saint. In 1607 Curradi was commissioned to portray her mortal remains, and this painting, together with the drawings,
Archip Iwanowitsch Kuindshi
painted Nacht in ca. 1905e1908